Showing posts with label abbott and costello. Show all posts
Showing posts with label abbott and costello. Show all posts

Monday, May 30, 2016

May 30: Happy Birthday Mel Blanc


By definition, all Radio Stars are voice actors. No one had as many voices as Mel Blanc. Or perhaps, all those voices had Mel Blanc. Several voice actors have been called “the man of a thousand voices” with some degree of exaggeration. Mel's son, Noel, claimed that Mel's count was closer to 1500.

Mel was born in San Francisco, the second son of Frank and Eva Blanc, on May 30, 1908. The family moved to Portland, OR, where Mel attended Lincoln High school. Mel has been always fond of making up voices and clowning. At the age of 16,  he decided to change his last name because a teacher warned him that he could end up that way, a Blank, a nothing. It is hard to imagine someone as good natured being kept down by such a prediction. He began working in vaudeville throughout the Northwest, and at 17 was the youngest orchestra conductor in the country.

Mel's radio career began at KGW in Portland on the show The Hoot Owls. Mel became  popular with his ability to so many voices and character, and in 1932, he left for Hollywood to find everlasting fame. At this time,  fame eluded him, but he did meet and marry Estelle Rosenbaum. The couple returned to Portland, where Mel went to KEX to produce and co-host the late-night Cobweb and Nuts show. By now, Estelle was gaining confidence in her husband's talents, and convinced him to give Hollywood another try.

He found a job with KFWB, a station that belonged to the Warner Brothers Studio. In 1937, Mel found work with Leon Schlesinger Productions, whose cartoons were distributed by Warner Brothers. Mel is best remembered for the many cartoon characters he brought to life in Warner Brothers cartoons, but in some ways it was just a stepping stone.

The animators loved the way Mel brought their drawings to life. When Mel was recording a voice, he would become the character. Noel claimed he could watch his dad working, and even with the speakers turned down he could tell which character he was playing. Mel was not the only voice talent on Schlesinger's payroll, but he was the most versatile. Voice actors rarely got screen credit in cartoons. When Mel thought he deserved a raise, he went to Schlesinger with his demands. Notoriously tight-fisted Schlesinger was not about to give up anything that would eat into his profits, but did agree to credit “Voice characterizations by Mel Blanc” on each cartoon.

Now that Mel's name was appearing on screens across the country, he began to get even more radio work. He became part of the company on The Jack Benny Program as a sort of human sound effects machine. He played Jack's barely-running Maxwell automobile and gave the growls of Jack's pet polar bear, Carmichael. One day Mel told Jack “Mr. Benny... I can talk too!” Jack told his writers to let him, and Mel became Polly the Parrot, a tormented department store clerk, Jack's long suffering violin teacher, and the announcer at the train station ("Train leaving on track five for Anaheim, Azusa and Cu... camonga!").

Mel had plenty of other radio work. He was the friendly postman on the Burns and Allen Show, as well as appearing on Fibber McGee and Molly, Abbot and Costello, and several AFRS programs. He gave voice to Yank magazine's Private Sad Sack. Mel's success on the Jack Benny Program helped him to get his own show on CBS. Unfortunately, Jack's writers did not come along, and the Mel Blanc Show only lasted the '46-'47 season.

Mel still had plenty to keep him busy. He even continued to work after an auto accident left him in a coma for three weeks (few people realize that for the first season of The Flintstones, Barney Rubble was played by a man in a full body cast!)

A Star on the Hollywood Walk of Fame at 6385 Hollywood Blvd honors Mel Blanc for his work in radio.

Thursday, May 1, 2014

May 1: Happy Birthday, Kate Smith


Kate Smith was born on this day in 1907, and it's not every day we get to celebrate the birth of the First Lady of Radio. The Kate Smith Show featured not only Smith's rich voice but comedy skits, musical performances, even drama. Guests included Gene Kelley, Al Jolson, Dorothy Lamour, and Ed Sullivan. What's more, Henny Youngman served as regulars, delivering their now legendary radio comedy.

Some of you may remember a lesser-known program, Kate Smith Speaks, on which "The Songbird of the South" gave her opinions on current events issues.

One thing you may not know about her was that it was she who introduced the public to Irving Berlin's rousing anthem "God Bless America" in 1938. Happy Birthday, first lady!

Tuesday, May 1, 2012

May 1, 1931: Kate Smith's Debut on Radio


May 1, 1931: The start of singer Kate Smith's long and rosy radio career on CBS coincided with this, her birthday. Smith, then 22, had to do her nationally broadcast daily program with no sponsors and a measly pay of $10 a week (equivalent of $149 in 2012 economics). But in a month's time, her pay rose to $1,500 a week, (equivalent to $22,466 in 2012 economics)-quite an improvement from when she started out!

Kate Smith was a great American singer. She had sung at the opening of sport events and could amazed the audience and official crew including the player. They said ""It ain't BEGUN 'til the fat lady sings!"" Smith was 5'10"" tall and weighed 235 pounds at the age of 30. In he autobiography, she mentioned that she was Living in a Great Big Way. She assinged Ted Collins to help he wrote he autobiography.

Smith was a pioneer star of radio, usually accompanied by Jack Miller's Orchestra. Her debut program was twice-a-week NBC series, ""Kate Smith Sings"", and then ""Kate Smith and Her Swanee Music"" that was aired on CBS.

The Kate Smith Hour was one of Kate Smith's program that became a leading radio variety show, presented comedy, music and drama featured by top personalities of films and theater for eight years (1937–45). The show's resident comics, Abbott and Costello and Henny Youngman, introduced their comedy to a nationwide radio audience aboard her show, while a series of sketches based on the Broadway production of the same name led to The Aldrich Family as separate hit series in its own right in 1940.